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Writers and Editors (RSS feed)

Tools for writers and editors

Updated 5-12-19. Tools (some free) that writers and editors I know find useful: LiveScribe Echo Pen (and cheaper options), Evernote, EndNote, Typinator, Doodle, EventBrite, Scrivener (lots of features mentioned here), Audacity, Dropbox, AwayFind, ifttt, Dragon Naturally Speaking, I'll start with the most dazzling:

• .Our mouths fell open when Beryl Benderly demonstrated her LiveScribe Echo, it worked so  Read More 

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Finding an editor

Need an editor but don't know how to find a good one? Before you hire, be clear what you need an editor for. Editors come in various flavors. There are
• Editors in book publishing houses, who "acquire" manuscripts (buy the rights to publish your manuscript)--who may or may not choose to publish your  Read More 
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Who gets the ISBN for your self-published book and why? (updated)

Novices in self-publishing tend to get stuck on practical details such as how an ISBN is different from a copyright, and whether and why you should have both (and how many to purchase, from whom). Copyright has to do with who owns the right to copy (reproduce) various versions of a book (or another creative product). The International Standard Book Number (ISBN) is important if you want to sell your book to the public. The ISBN is a product identifier, which helps booksellers (in stores or online) identify the product they want to order or sell, and also identifies the publisher of record. It may distinguish not only one book from another but various versions of the book from each other (e.g., hardcover, paperback, e-book--even by e-book format: ePub from mobi).

Authors about to self-publish for the first time often ask if they need an ISBN--and they do if they want to sell in the public marketplace. The question is: who gets the ISBN. Answer: The unit processing sales (typically the publisher or self-publisher). I'm a personal historian helping others tell their life stories; if a client of mine wants to sell his book, I have him get the ISBNs in his name, so he can process the orders (and find a place to store the books).

For self-publishers who use CreateSpace to publish a print-on-demand edition of a book, if you use CreateSpace's free ISBN, you are making CreateSpace the publisher of record. If you later issue a POD edition through Lightning Source, you will need a new ISBN for that edition, which could confuse readers (and you will want to unpublish the CreateSpace edition). Certainly if you want to sell books to bookstores you need your own ISBN--they're unlikely to buy books through Amazon, which offers no bookseller's discount and competes fiercely with booksellers. You will also want to purchase bar codes, so bookstores can scan the bar code when someone buys a copy of the book, and get a Library of Congress catalog card number.

I've put together these links to good explanations so those not in the know can work their way toward a fuller understanding of what to do and why, how, and when to do it.
ISBN FAQ (frequently asked questions)
International ISBN Agency
A concise guide to book industry product identifiers Read More 
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How to price ebooks

Published 8-14-13, updated 10-13-13
This is a roundup of various pieces on how to price ebooks: Do you price high and count on fewer but more profitable sales, or do you price low to get volume? Do you charge libraries more? Do you offer freebies? Do customers expect low ebook prices? It's a wild world out there in ebook land, and the right price for an ebooks may depend on the size and type of audience  Read More 

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A memoir writer's dream come true

Paul Pollinger reading Kim Firestone's memoir
This is the kind of picture an author has to love. I helped my friend Kim Firestone get his book in shape for publication, got it nicely designed by my Argentine friends at My Special Book (especially Juan Zemborain), took it along to a weekend at the Bay, and smiled as I watched my  Read More 
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Editing: a craft or a business?

The "Medievalist says editing is a business, but really means it is a craft and she is an artisan, not a business person," writes Rich Adin in his essay Medievalist or Futurist? (An American Editor, 9-18-13). We are experiencing a shift away from the (good old) "medievalist" days when editing, viewed more as a craft than a business,  Read More 
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Health insurance, freelancers, and the Affordable Care Act

(Updated 6-5-18) The following may help freelancers figure out what health insurance freelance writers and editors can get under the Affordable Care Act (Obamacare) under Trump as well as from various creative freelance and writers organizations. According to the Authors Guild:
• "Assistance for premium costs: For those with incomes under specified thresholds, federal tax credits will be available to help cover the costs of premiums.
• "Choices will vary by states Read More 
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CreateSpace, Lightning Source, and Lulu: One self-publisher's experience

Guest Post by Tom Benjey, initially for the Washington Biography Group.

Print On Demand (POD) technology allows books to be printed digitally one a time, thus relieving the publisher of the cost of printing a batch of books and having capital tied up in them until they sell. Major publishing houses have been using this technology for some time to keep their backlist titles in print.  Read More 
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Nonfiction--the long and the short of it

The 2013 conference of the American Society of Journalists & Authors was discouraging in most ways, encouraging in some, and offered much to learn. Being a writer-entrepreneur is more important than ever. Some trends, in a nutshell:

• Nobody knows where things are going to shake out in book publishing, things are changing so fast and in so many ways, but self-publishing has definitely  Read More 
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Library Thing, GoodReads, Shelfari -- and other social networking for bookworms

You'll find a helpful range of reader reviews on these social networking for bookworms sites. Check out LibraryThing, GoodReads, Shelfari, BookCrossing, BookMooch, Book MovementRead More 
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