icon caret-left icon caret-right instagram pinterest linkedin facebook twitter goodreads question-circle facebook circle twitter circle linkedin circle instagram circle goodreads circle pinterest circle

Writers and Editors (RSS feed)

Memoir: Show AND Tell (an interview with Patricia Hampl)

"I think that the reason memoir is a dynamic form today is not because we happen to be a tell-all society," Patricia Hampl said in an interview in 2004. "What I think really has given torque to the genre, has made universities suddenly make room for this genre has to do with...this thing called a story, a narrative that has got that 'Then what?' and 'Oh that’s an interesting character.' It’s got all that stuff we connect with fiction, which is then interrupted or connected to a need to talk about the material.

"The big fiction advice is 'Show, don’t tell,' but this is not what memoirists are embroidering on their pillows and sleeping on. It’s instead 'Show and Tell.' It’s the idea that you can't tell unless you can show, but you don’t just show. You have to talk about it. You have to somehow reflect upon it. You have to track or respond to it, this thing that’s happening. And in the intersection of these two things is the excitement we feel about this genre. Too much show and 'Why aren’t you writing fiction?' Too much tell and 'I’m not going to listen to you because you’re boring.' The narration is the thing that lets you do the other."

That passage is from "We Were Such a Generation”—Memoir, Truthfulness, and History: An Interview with Patricia Hampl" (interviewers Shelle Barton, Sheyene Foster Heller, and Jennifer Henderson) published in River Teeth (Spring 2004: 129-142). Click here to read the whole interview, for which I found this PDF file online at this URL:

Patricia Hampl is the author of a book on the topic of memoir: I Could Tell You Stories: Sojourns in the Land of Memory, among other titles.
Post a comment